The film “Bandhi,” starring Aditya Om and directed by Raghu Tirumala and produced by Gully Cinema, received positive reviews at several film festivals. The survival drama got special attention for its cinematography, which was done by Madhusudhan Kota.
The picture, which was released last month, is notable for its focus on a single character. Handling such a subject with a single character is a difficult task for cinematographers. Kota’s great use of natural lighting, dynamic camera angles, and vast landscape shots improved the overall atmosphere. It’s no surprise that the cinematographer received more awards at festivals.
“Bandhi” is a single-character story; therefore, the cinematography has to compensate for the lack of supporting actors.
Kota achieved this by playing with framing, depth of field, and movement, ensuring that the audience remains emotionally invested in the protagonist’s journey. His lens brilliantly conveys dread, despair, and metamorphosis, making Aditya Om’s performance even more powerful. Close-ups are strategically used to underline the protagonist’s emotional difficulties, whereas aerial and wide angles highlight his fragility in the great wilderness.
Kota demonstrates that cinematography is more than just capturing photos; it is about constructing emotions, creating tension, and presenting a tale through visuals.
